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News

CEDEC2020

Opening to the public on May 9, 2020 BANDAI NAMCO Studios Inc. will be speaking at CEDEC 2020, September 2-4, 2020, in the regular session “The Art of Creating Highly Reliable HDRI”. The IDT profile (RICOH THETA Z1) created by Logoscope will be referenced and mentioned as part of the presentation by Masayuki Suzuki (Core […]

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Development

IDT (Input Device Transform) for RICOH THETA Z1

In the CGWORLD vol.262 (June 2020 issue) released on Saturday, May 9, 2020, in cooperation with CGSLAB, we provided an explanation of the ACES-compatible HDRI production flow using the RAW shooting-compatible “RICOH THETA Z1”. IDT Download Link for THETA Z1  In this feature, Logoscope has created an IDT (Input Device Transform) that approximates the RGB […]

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Events

[ Lecture ]
InterBee2018 Canon Seminar Program: Basic HDR Movie Production Course

We will be giving a presentation at the InterBEE2018 Cannon Seminar Program from Wednesday, November 14 – Friday, November 16, 2018 (1:30 p.m. – 2:15 p.m.). In the lecture, we will explain the basic knowledge necessary for HDR video production by comparing real-world brightness and HDR monitor brightness. InterBEE2018 Canon Seminar Program Presentation Slides(download)

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News

制作に参加したTHE QUIET MANが発売されました

I participated in the production of the live-action sequence of THE QUIET MAN, which was planned and produced by SQUARE ENIX Takeo Fujinaga. At Logoscope, I was involved in the color pipeline where game sequences and live-action sequences switch seamlessly, as well as building the workflow for live-action sequences. 05-11/2018, The Quiet Man (video game), […]

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News

Zatoichi 0: Making Movie

The making movie of Zatoichi 0 is now available on Youtube. Logoscope was responsible for the creation of a scene linear/ACES look development environment for digital human production. Contribution: Building ACES Color Pipeline for Look-development Environment (Digital Human)

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News

CGWORLD VFX Anatomy:GRAVITY CAT / 重力的眩暈子猫編

The VFX making of “GRAVITY CAT / 重力的眩暈子猫編” was featured in CGWORLD VFX Anatomy. Logoscope participates in high dynamic range 3D scanning of through-window buildings and scene linear workflow construction. CGWORLD VFX Anatomy『GRAVITY CAT / 重力的眩暈子猫編』 10/2016-01/2017, PlayStation PV 『GRAVITY CAT / 重力的眩暈子猫』, CG director: Tetsuaki Matsumoto (Omnibus Japan Inc.), Contribution: Color-management in VFX, Photogrammetry […]

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Events

【 Lecture 】
The National Film Center, The National Museum of Modern Art, Tokyo:Symposium on the Digital Preservation and Archival Use of Film Collections

On January 26 and 27, 2017, the NFC Symposium: “Symposium on the Digital Preservation and Archival Use of Film Collections” will be held at the Film Center of the National Museum of Modern Art, Tokyo, Kyobashi; Logoscope will present “Scene Linear Workflows/ACES and its Perspectives in Archiving” in Part 4 of the 27th. “Scene Linear […]

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News

CGWORLD vol.221: ‘Saya’ ver.2016

I wrote about the Virtual Human Project in CGWORLD vol.221 “Saya” ver.2016, which will be released on Saturday, December 10, 2016. I was responsible for the “History” and “Workflow” chapters in the feature. Released on Saturday, December 10, 2016 CGWORLD vol. 221 (January 2017 issue) 『Saya』ver.2016 ・Introduction・History・ Setup・ Performance Capture・ Workflow ・Rendering ・Consideration

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Events

【 Lecture 】
CGWORLDCreative Conference 2016: The Making of Björk VR

We will be giving a presentation at the CGWORLD Creative Conference 2016 on November 6, 2016. In the lecture “Making Björk VR Works”, Mr. Inudo, representative director of MARK Inc., and director of TAKCOM will also take the stage. Logoscope will present a detailed technical presentation of the 360-degree public recording of Bjork’s performance at […]

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News

Virtual Human Project:Saya ver.2016