Logoscope
In the CGWORLD vol.262 (June 2020 issue) released on Saturday, May 9, 2020, in cooperation with CGSLAB, we provided an explanation of the ACES-compatible HDRI production flow using the RAW shooting-compatible “RICOH THETA Z1”. IDT Download Link for THETA Z1 In this feature, Logoscope has created an IDT (Input Device Transform) that approximates the RGB […]
WORLD’S FIRST RIDE ProPILOT 2.0, the 360° video we were involved in, has been viewed over 3 million times on Youtube. Logoscope was responsible for the real-time stitching, compositing and post-production of the 360° video on location. 【歴代 #スカイライン 全集合】ハンズオフ運転をついに実現。360度動画で新型スカイラインに世界で最も早く試乗しよう。 ✔︎ProPILOT… Nissanさんの投稿 2019年7月17日水曜日 01-07/2019, 360° Video WORLD’S FIRST RIDE ProPILOT 2.0, VFX Producer: Yoshiaki Ishigaya (TTR […]
We created MASH CYCLE, a bike exercise that fuses entertainment with the five senses and your whole body. Logoscope produced and directed the content for High Frame Rates and Wide Vision. We also made a prototype of a heart rate sensor synchronization system. 06/2018-01/2019, JOYFIT Mash Cycle (HFR, Ultra-wide), Producer: Yoshifumi Mouri (rinproject.net), Contribution: Wide-vision […]
We participated in the creation of wide vision content for docomo FUTURE STATION, a 12K x 2K wide LED vision (SONY Crystal LED) that showcases the various advantages of 5G, the next generation of communications, such as high speed, high capacity and low latency. Logoscope provided technical direction for the live-action content for High Frame […]
NTT R&D Forum 2018 fencing match-watching expansion We participated in the production of powered by NTT Kirari! We participated in the creation of wide-vision content. Logoscope provided technical direction for High Frame Rates (120fps), High Resolution (8K) and Wide Vision live action content. Specifically, we performed multi-cam shooting and post-production of 12K wide vision. 11/2018, […]
We will be giving a presentation at the InterBEE2018 Cannon Seminar Program from Wednesday, November 14 – Friday, November 16, 2018 (1:30 p.m. – 2:15 p.m.). In the lecture, we will explain the basic knowledge necessary for HDR video production by comparing real-world brightness and HDR monitor brightness. InterBEE2018 Canon Seminar Program Presentation Slides（download）
I participated in the production of the live-action sequence of THE QUIET MAN, which was planned and produced by SQUARE ENIX Takeo Fujinaga. At Logoscope, I was involved in the color pipeline where game sequences and live-action sequences switch seamlessly, as well as building the workflow for live-action sequences. 05-11/2018, The Quiet Man (video game), […]
The making movie of Zatoichi 0 is now available on Youtube. Logoscope was responsible for the creation of a scene linear/ACES look development environment for digital human production. Contribution: Building ACES Color Pipeline for Look-development Environment (Digital Human)
The VFX making of “GRAVITY CAT / 重力的眩暈子猫編” was featured in CGWORLD VFX Anatomy. Logoscope participates in high dynamic range 3D scanning of through-window buildings and scene linear workflow construction. CGWORLD VFX Anatomy『GRAVITY CAT / 重力的眩暈子猫編』 10/2016-01/2017, PlayStation PV 『GRAVITY CAT / 重力的眩暈子猫』, CG director: Tetsuaki Matsumoto (Omnibus Japan Inc.), Contribution: Color-management in VFX, Photogrammetry […]
On January 26 and 27, 2017, the NFC Symposium: “Symposium on the Digital Preservation and Archival Use of Film Collections” will be held at the Film Center of the National Museum of Modern Art, Tokyo, Kyobashi; Logoscope will present “Scene Linear Workflows/ACES and its Perspectives in Archiving” in Part 4 of the 27th. “Scene Linear […]