“Shooting and Lighting Technologies at Scene Linear Workflow/ACES” Date: Tuesday, March 25, 2014, 17:00-18:30Venue: Fujifilm Nishiazabu Hall Sponsored by: FUJIFILM Corporation, Ray Corporation Speaker: Fumihiko Kamemura (Logoscope,Ltd.) Yoshiumi Seki (McRAY) The ACES standard (AMPAS – Academy of Motion Picture Arts and Sciences), which has recently been implemented in video equipment and software, is the […]
Tag: Scene-linear Worflow/ACES
We will be giving a presentation at the seminar “Color Management with OpenColorIO for VFX Production” hosted by Bone Digital on Friday, March 7, 2014. Seminar contents and speakers: Demo1: “About OpenColorIO (OCIO)” by Fumihiko Kamemura, President, Logoscope Ltd.– About scene linear basics, OCIO, LUT, and color profile– About Configuration File, which is available as […]
AREA JAPAN Vol.2:
Traditional Workflow

Scene Linear Workflow/ACES is a workflow with a color pipeline based around scene linear images. Scene-linear images are images that are relatively referenced to the light of the real scene and do not contain context-sensitive sensory values such as desirability. Scene linear images can be classified as scene-referred image states. So, what kind of image […]
The following presentation will be given at the 2013 International Broadcast Equipment Exhibition (InterBEE) from November 13 to 15, 2013. “CINEMA EOS SYSTEM using ACES” Date: November 13 (Wednesday) – 15 (Friday), 2013Venue: InterBEE Canon BoothPresentation materials (download)
【 Lecture 】
InterBEE2013:Nuke User Session
The Nuke User Session will be held at the Born Digital booth at the 2013 International Broadcast Equipment Show (InterBEE) from November 13-15, 2013. Logoscope will explain VFX production using Nuke and OpenColorIO through examples of commercial production. OpenColorIO in VFX Production”.Date: November 13 (Wednesday) – 15 (Friday), 2013Venue: InterBEE Bone Digital Booth

Why scene linear workflow now? The scene linear workflow, which has been implemented in Japan since 2012, is a video production technique that is a condensed version of the know-how cultivated in Hollywood over many years. By adopting the scene linear workflow, it is expected to dramatically improve video quality and at the same time […]
The following presentation will be given at the Fujifilm Technical Center Opening Event on September 20, 2013. Seminar Title.Practical scene linear workflows using ACES color space and their impact on the video and VFX industry Seminar OverviewThe scene linear workflow based on the ACES standard of AMPAS is a universal video production technique that condenses […]

We provide the construction of the scene-linear workflow based on ACES color space for VFX companies. In the process of the scene-linear workflow, we first remove the camera’s native gamma and convert it to ACES(scene-linear). In this case, it is important for the cinematographer and DIT(Digital Image Technician) to properly set the right camera setting. […]
We will be giving a presentation on “VFX Video Pipeline and Physiological Visual Effects” at a symposium hosted by DCCJ & SKJ on May 22, 2013. The VFX image is a digital visual effect added to the image, and in the production of the VFX image, live action, CG and its composite process intersect many […]
The April issue of CGWORLD vol.176 features the first 26-page special feature, “Basic Explanation of Scene Linear Workflow”. The content of this article is the construction method of a scene linear workflow based on the IIF-ACES standard, which we have been verifying since last summer. Scene linear is digital data that is a physically accurate […]