For “Qiddiya Gaming UBAR™ Official Trailer,” P.I.C.S was responsible for the visual effects, while Logoscope was in charge of the Maya Look Development environment, 3D Scan, and color management.
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For Netflix series “Chastity High: A Love Battle Royale,” KASSEN was responsible for the visual effects, while Logoscope contributed as a technical artist and was in charge of building a high dynamic range viewing environment and a color management environment using OpenColorIOv2. New WorkNetflixシリーズ「恋愛バトルロワイヤル」/ Netflix8月29日(木)より世界独占配信https://t.co/bJ5OziobcS VFX Supervisor : Shimpei Yoshikawa (KASSEN)CG Supervisor : Tetsuaki Matsumoto […]
For the VFX production of the theatrical animation “KILLTUBE”, we developed a Spatial Filter for KASSEN and delivered it in Nuke BlinkScript format. New Work2026年全世界公開予定(目標) 劇場アニメ「KILLTUBE」https://t.co/jtMqpuIAF9 企画・監督 : 栗林 和明演出 : 志賀 匠演出 : 後藤 雅人演出 : 山田 遼志キャラクターデザイン・演出 : しまぐち ニケ演出 : Bivi演出 : まるそう演出 : フロクロ演出・VFXスーパーバイザー : 太田 貴寛… — KASSEN (@KASSEN_VFX) May […]
New WorkFutaba Drawing Camp / 経済産業省 WEB SITEhttps://t.co/hcVyx1OguwVISION MOVIEhttps://t.co/xvrGhTyLorDOCUMENTARY MOVIEhttps://t.co/hcVyx1Oguw VFX Producer : Taiyo Sato (KASSEN)VFX Producer : Shomu Takada (KASSEN)Concept Artist : Sawai Fujihiko (WACHAJACK)Concept… pic.twitter.com/oYpSwrcohn — KASSEN (@KASSEN_VFX) February 16, 2024
For Disney+’s “Dragons of Wonderhatch,” KASSEN was responsible for the visual effects, while Logoscope contributed as a technical artist, developing both a high dynamic range (HDR) viewing environment and a color management system using OpenColorIO v2. New WorkDisney+ STAR「ワンダーハッチ」/ Disney+2023年12月20日 ディズニープラスで独占配信中https://t.co/edxw7tpM0I Main VFX Studio : KASSENVFX Supervisor : Takahiro Ota (KASSEN)VFX Producer : Hisamichi Kido […]
For Disney+’s “GANNIBAL,” Darwin Inc. was responsible for the visual effects, while Logoscope was in charge of VFX. Logoscope provided lens metadata management tools, a high dynamic range viewing environment, and a color management environment using OpenColorIOv2 as a technical artist.
To celebrate the worldwide distribution of the Netflix series “Pokémon Concierge” from December 28, 2023 (Thursday), I attended the premiere screening with a cast greeting held at United Cinemas Aqua City Odaiba. I was very moved by the heartwarming and touching film that oozed with the personality of the director, Iku Ogawa, and the cast! […]
For Cinema “あの花が咲く丘で、君とまた出会えたら。” Darwin Inc. was responsible for the visual effects, while Logoscope contributed as technical director, Logoscope developed lens metadata management tools using OpenTimelineIO (including Zeiss eXtended Data), color management and real-time uniformity correction tools for Stewart Screen’s digital cinema viewing environment, and developed Blender, Nuke, and BlackBerry. He was also responsible for the […]
For Netflix Series’s “Once Upon a Crime,” Kahki was responsible for the visual effects, while Logoscope contributed as a technical artist, developing both a high dynamic range (HDR) viewing environment and a color management system using OpenColorIO v2.
Won the Award in the Entertainment Division of the 25th JAPAN MEDIA ARTS FESTIVAL “YAKUSHIMA TREASURE ANOTHER LIVE” an interactive video work based on a live performance by KOM＿I and Oorutaichi at the Banyan Tree Forest on Yakushima Island, received the Award in the Entertainment Division at the 25th JAPAN MEDIA ARTS FESTIVAL in 2022. […]