For Disney+’s “Gunnival,” KASSEN was responsible for the visual effects, while Logoscope contributed as a technical artist and was in charge of creating a high dynamic range viewing environment and a color management environment using OpenColorIOv2. New Work『ガンニバル』シーズン2©︎2025 Disneyディズニープラス「スター」で3月19日より独占配信 https://t.co/cJsER8gF8x VFX Producer : Hisamichi Kido (KASSEN)VFX Line Producer : Joe Fukushima (KASSEN)Compositing Supervisor : Shinya Saiki […]
Tag: OpenColorIO
For the commercial “Glop Serendipity,” KASSEN was responsible for the visual effects, while Logoscope was in charge of In-Camera VFX and Set Extension color management with Unreal Engine 5+Disguise as a technical artist. New WorkGROP CM 「Serendipity」篇 / GROPhttps://t.co/nppRWr7CW2 CG Supervisor : Takateru Izaki (KASSEN)CG Artist : Kentaro Kanaya (KASSEN)CG Artist : Ishida (KASSEN)CG Artist […]
For Disney+’s “GANNIBAL,” Darwin Inc. was responsible for the visual effects, while Logoscope was in charge of VFX. Logoscope provided lens metadata management tools, a high dynamic range viewing environment, and a color management environment using OpenColorIOv2 as a technical artist.
For Cinema “あの花が咲く丘で、君とまた出会えたら。” Darwin Inc. was responsible for the visual effects, while Logoscope contributed as technical director, Logoscope developed lens metadata management tools using OpenTimelineIO (including Zeiss eXtended Data), color management and real-time uniformity correction tools for Stewart Screen’s digital cinema viewing environment, and developed Blender, Nuke, and BlackBerry. He was also responsible for the […]
For Netflix Series’s “Once Upon a Crime,” Kahki was responsible for the visual effects, while Logoscope contributed as a technical artist, developing both a high dynamic range (HDR) viewing environment and a color management system using OpenColorIO v2.