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News

Participated in “Yakushima Treasure Another Live from Yakushima” Content Production

We participated as technical support for “YAKUSHIMA TREASURE ANOTHER LIVE from YAKUSHIMA”, a collaboration between creative house Dentsu Craft Tokyo and video director Koichiro Tsujikawa. I participated as a technical support staff to scan the live performance in the “Banyan Tree Forest” as 360° 3D point cloud data using infrared rays in order to view […]

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News

Softbank “NiziU LAB” – Participated in VR contents production

We participated in the production of VR content for the NiziU LAB, which was created through a collaboration between Softbank and NiziU. Logoscope developed the real-time preview system and post-production for the high-quality 180° stereo VR. Listed in the VR staff list in the link below.

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News

Participated in the production of camera assessment content for RED KOMODO 6K

Directed by cinematographer Takuro Ishizaka with equipment support from RAID Corporation, “MARTIAL ARTS TOKYO: SHOT ON KOMODO” has been released. Logoscope provided technical direction for this project and built the color pipeline using IPP2. The document of IPP2 color pipeline used in this project will be available at a later date. #KOMODO #ShotonRED Rurouni Kenshin […]

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News

We participated in the creation of content for 5G LAB – VR Square.

We participated in the development of “VR SQUARE” contents for 5G LAB, SoftBank’s content delivery service. We collaborated to develop real-time stitching for 360° video and a real-time preview system for 180° stereo VR. The following link shows a list of our staff as VR engineers.

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News

CEDEC2020

Opening to the public on May 9, 2020 BANDAI NAMCO Studios Inc. will be speaking at CEDEC 2020, September 2-4, 2020, in the regular session “The Art of Creating Highly Reliable HDRI”. The IDT profile (RICOH THETA Z1) created by Logoscope will be referenced and mentioned as part of the presentation by Masayuki Suzuki (Core […]

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Development

[Develop] IDT (Input Device Transform) for RICOH THETA Z1

In the CGWORLD vol.262 (June 2020 issue) released on Saturday, May 9, 2020, in cooperation with CGSLAB, we provided an explanation of the ACES-compatible HDRI production flow using the RAW shooting-compatible “RICOH THETA Z1”. IDT Download Link for THETA Z1  In this feature, Logoscope has created an IDT (Input Device Transform) that approximates the RGB […]

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News

【Workshop】
工学院付属中学:ドキュメンタリー映画作成ワークショップ

『教育界のノーベル賞』と呼ばれるグローバルティーチャー賞をTOP10に日本人で初めて選出された、工学院大学附属中学・高校教諭の高橋一也先生(英語科)のもとで、『ドキュメンタリー映画作成ワークショップ』を開催しました。高橋先生の生徒たちは、会話レベルの英語スキルに加え、論証の基本を押さえ且つものづくりをやりこんだ深い視点からの質問ができる中高生たちでした。 映像を用いたストーリーテリング(映像監督)は、だれもがやりたい・できることではないけれど、監督が実現したいことをロジカルに解決することも映像制作の一つであるので、ぜひ、ワークショップに参加した中高生には、これから出会う様々な分野で、映像制作スキルを活かしてもらえると嬉しいです。

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News

WORLD’S FIRST RIDE ProPILOT 2.0(360°Video)

WORLD’S FIRST RIDE ProPILOT 2.0, the 360° video we were involved in, has been viewed over 3 million times on Youtube. Logoscope was responsible for the real-time stitching, compositing and post-production of the 360° video on location. https://www.facebook.com/NissanJP/posts/2447824385237727?comment_id=2448654958488003&comment_tracking=%7B%22tn%22%3A%22R%22%7D 01-07/2019, 360° Video WORLD’S FIRST RIDE ProPILOT 2.0, VFX Producer: Yoshiaki Ishigaya (TTR Inc.), Contribution: Pre-visualization, Building […]

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News

JOYFIT MASH CYCLE: A Bike Exercise Wide Vision Contents

We created MASH CYCLE, a bike exercise that fuses entertainment with the five senses and your whole body. Logoscope produced and directed the content for High Frame Rates and Wide Vision. We also made a prototype of a heart rate sensor synchronization system. 06/2018-01/2019, JOYFIT Mash Cycle (HFR, Ultra-wide), Producer: Yoshifumi Mouri (rinproject.net), Contribution: Wide-vision […]

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News

docomo FUTURE STATION: A Large 12K Wide LED Vision

We participated in the creation of wide vision content for docomo FUTURE STATION, a 12K x 2K wide LED vision (SONY Crystal LED) that showcases the various advantages of 5G, the next generation of communications, such as high speed, high capacity and low latency. Logoscope provided technical direction for the live-action content for High Frame […]